Irene Mawer: Mime and Movement
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For some time, I have been struggling with how to tell you what Miss Mawer’s mime technique was like. I have been looking for ways to describe it in words. I still haven’t found my answer, but I think the following critical review of one of her performances might go
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The Link, July 1934, p.6 Very sadly, I have been able to find out NOTHING about Wallace B. Nicholls, save for his dates (1888-1967) and the fact that he was educated at Westminster School in the heart of London. The person who wrote the foreward for his book, however, has
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Among Irene Mawer’s papers left after her death, there are two photographs of a small, white dog. His name was Nobby and I think he was probably a breed of terrier called a Sealyham. It is interesting to think of Miss Mawer as having been a dog owner. I have
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In previous blog posts, I have discussed Miss Mawer’s love of using imagined fairies and mythical creatures as a way for teaching movement to little children. However, when those same children grew into adults, they, like all young people, rebelled. Out went the fairies, and in came the murderers! One
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In 1931, Irene Mawer wrote an article in the Ginner-Mawer School magazine about a play that she had been to see. The play was called Rahere and was performed in a magnificent Mediaeval church in the Smithfield district of London. Officially the church is called The Priory Church of St
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