DAISY BELLIS

In the mid-1980s I was teaching the Irene Mawer method of mime in small classes around the Leeds area of West Yorkshire. One class was held in a church hall, another in a Victorian community centre building.  I also taught private classes at my home:  a shared student house in the

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THE TREE IN THE WIND

Following on from my previous posts, this week continues with another of Irene Mawer’s ‘word rhythms’. Miss Mawer was a ‘born mime’, famous in her day for her ability to express emotions and to show occupations – all without speaking.  However, to Miss Mawer mime was not a stand-alone subject, but

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WRITHING IN AN ELEMENTAL ANGUISH

Last week I posted about Irene Mawer’s poem “Carven as in Marble” and its associated frieze lines which are a  formalised type of movement, albeit they can done differently to express different emotions.   This week, I am writing about a very different type of movement – nature rhythms.   From my

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CARVEN AS IN MARBLE

Mrs Durling (my teacher of the Irene Mawer Method of Mime and Movement) loved this poem which was written by Irene Mawer and through Mrs Durling, I came to love it as well.   One day I hope to find out Mrs Durling’s history and how she came to train under

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